An incessantly ringing cell phone in a quiet café. A stranger at the next table who has had enough. And a dead man. So begins Dead Man’s Cell Phone, a wildly imaginative comedy by MacArthur “Genius” Sarah Ruhl (The Clean House). An off-the-wall play about the odyssey of a woman forced to confront her own assumptions about morality, redemption, and the need to connect in a technologically obsessed world.
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