| Show | This Week Gross Potential Gross | Diff $ | Avg Ticket Top Ticket | Seats Sold Seats in Theatre | Perfs Previews | % Cap | Diff % cap |
|---|---|---|---|---|---|---|---|
| & Juliet Stephen Sondheim Theatre | $840,136.50 | -$99,306.60 | $103.06 $324.00 | 8,152 1,026 | 8 0 | 99.32% | 1.82% |
| Aladdin New Amsterdam Theatre | $1,378,964.00 | $2,538.60 | $104.01 $215.50 | 13,258 1,727 | 8 0 | 95.96% | -0.03% |
| The Book of Mormon Eugene O'Neill Theatre | $827,261.35 | -$32,850.46 | $100.47 $249.00 | 8,234 1,066 | 8 0 | 96.55% | 2.25% |
| BOOP! The Musical Broadhurst Theatre | $557,638.30 | $17,963.32 | $75.70 $297.00 | 7,366 1,137 | 7 0 | 92.55% | 19.51% |
| Buena Vista Social Club Gerald Schoenfeld Theatre | $1,086,615.10 | -$172,134.60 | $131.23 $397.00 | 8,280 1,049 | 8 0 | 98.67% | 3.34% |
| Cabaret August Wilson Theatre | $842,496.50 | -$40,844.80 | $103.27 $329.00 | 8,158 1,070 | 8 0 | 95.30% | 3.28% |
| Call Me Izzy Studio 54 | $233,729.50 | -$272,118.00 | $79.36 $377.50 | 2,945 807 | 8 0 | 45.62% | -19.75% |
| Chicago Ambassador Theatre | $542,588.46 | -$25,154.60 | $88.76 $237.00 | 6,113 1,080 | 8 0 | 70.75% | 4.15% |
| Death Becomes Her Lunt-Fontanne Theatre | $1,102,042.75 | -$253,330.25 | $96.02 $249.00 | 11,477 1,491 | 8 0 | 96.22% | 1.71% |
| The Great Gatsby Broadway Theatre | $918,349.70 | -$47,901.70 | $85.56 $277.00 | 10,733 1,485 | 8 0 | 90.35% | 3.50% |
| Gypsy Majestic Theatre | $293,902.82 | -$701,697.70 | $39.97 $247.00 | 7,354 1,590 | 8 0 | 57.81% | -8.63% |
| Hadestown Walter Kerr Theatre | $693,991.00 | -$52,402.00 | $94.48 $0.00 | 7,345 918 | 8 0 | 100.01% | 1.13% |
| Hamilton Richard Rodgers Theatre | $2,110,770.00 | $171,071.00 | $196.50 $325.00 | 10,742 1,324 | 8 0 | 101.42% | 0.33% |
| Harry Potter and the Cursed Child Lyric Theatre | $1,167,145.25 | $13,568.05 | $102.71 $239.00 | 11,363 1,622 | 8 0 | 87.57% | 4.50% |
| Hell's Kitchen Sam S. Shubert Theatre | $779,243.41 | -$128,281.89 | $72.09 $273.00 | 10,809 1,457 | 8 0 | 92.73% | 5.66% |
| John Proctor is the Villain Booth Theatre | $907,358.90 | -$16,350.80 | $143.66 $475.00 | 6,316 772 | 8 0 | 102.27% | -0.21% |
| Just in Time Circle in the Square Theatre | $1,231,806.50 | -$48,092.50 | $216.64 $574.50 | 5,686 690 | 8 0 | 103.01% | 0.18% |
| The Lion King Minskoff Theatre | $2,054,327.80 | -$12,673.00 | $155.68 $262.00 | 13,196 1,696 | 8 0 | 97.26% | -1.92% |
| Maybe Happy Ending Belasco Theatre | $1,331,260.19 | $23,757.78 | $166.78 $475.00 | 7,982 973 | 8 0 | 102.54% | 0.05% |
| MJ The Musical Neil Simon Theatre | $1,232,434.85 | $3,467.85 | $124.06 $269.00 | 9,934 1,387 | 8 0 | 89.53% | 1.77% |
| Moulin Rouge! The Musical Al Hirschfeld Theatre | $848,114.60 | -$19,687.20 | $88.39 $0.00 | 9,595 1,300 | 8 0 | 92.26% | 4.69% |
| Oh, Mary! Lyceum Theatre | $938,942.00 | -$297,193.00 | $139.56 $375.00 | 6,728 895 | 8 0 | 93.97% | -6.03% |
| Operation Mincemeat John Golden Theatre | $606,750.60 | -$147,337.08 | $97.89 $325.00 | 6,198 790 | 8 0 | 98.07% | -0.63% |
| The Outsiders Bernard B. Jacobs Theatre | $1,146,604.69 | -$101,314.96 | $137.57 $497.00 | 8,335 1,024 | 8 0 | 101.75% | -0.20% |
| Pirates! The Penzance Musical Todd Haimes Theatre | $376,414.50 | -$95,429.00 | $70.07 $297.00 | 5,372 727 | 8 0 | 92.37% | 2.88% |
| Purpose Helen Hayes Theater | $643,847.71 | -$38,257.54 | $139.24 $300.00 | 4,624 581 | 8 0 | 99.48% | 0.81% |
| SIX: The Musical Lena Horne Theatre | $709,796.25 | -$7,738.00 | $98.57 $269.00 | 7,201 1,031 | 8 0 | 87.31% | 6.44% |
| Stranger Things: The First Shadow Marquis Theatre | $928,647.10 | -$82,722.15 | $92.42 $281.00 | 10,048 1,594 | 8 0 | 78.80% | -1.56% |
| Sunset Boulevard St. James Theatre | $1,940,268.90 | $88,782.10 | $151.10 $599.00 | 12,841 1,606 | 8 0 | 99.93% | 2.87% |
| Wicked Gershwin Theatre | $2,257,921.00 | -$177,686.00 | $146.54 $352.00 | 15,408 1,926 | 8 0 | 100.00% | 0.00% |
Sarah Snook finished her Tony-winning run in the solo show June 29.
Both shows closed June 22 on the Main Stem, with their box-office increases leading a 10% cumulative increase over all of Broadway.
Tony-winning star and writer Cole Escola plays their final performance in the comedy June 21.
Good Night, and Good Luck closed with the highest gross of its stratospheric run, even as a performance broadcast and streamed live for free via CNN.
The George Clooney-led production made an eye-opening $4 million in one week.
The now completed season saw nearly $2 billion in revenue from 14.7 million tickets, a striking comeback from pandemic losses.