The Comden and Green outlook on life was easily identifiable: more sentimental than cynical; whimsical bordering on daffy; and making full use of the many cultural and tempermental contrasts within New York's citizenry. Their books were directly descended from the loopy, madcap plotlines of 1920s and 1930 Broadway musicals, while displaying more craftsmanship and disclipline.
Read Full ObituaryNew York Drama Critics' Circle | |||
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1991 | Best Musical | Winner | |
1953 | Best Musical | Winner |
Tony Award | |||
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1991 | Best Original Score | Winner | |
1986 | Best Book of a Musical | Nominee | |
1983 | Best Original Score | Nominee | |
1983 | Best Book of a Musical | Nominee | |
1978 | Best Original Score | Winner | |
1978 | Best Book of a Musical | Winner | |
1968 | Composer and Lyricist | Winner |