Off-Broadway's Connelly Theater Will Now Only Allow Catholic Church-Approved Productions | Playbill

Industry News Off-Broadway's Connelly Theater Will Now Only Allow Catholic Church-Approved Productions

The policy shift affects shows that are themed around reproductive rights, trans characters, and gender issues.

The Connelly Theater

A leadership change at the Archdiocese of New York has led to new content guidelines at Off-Broadway's Connelly Theater, whose building is owned by the church. The new guidelines prohibit works with themes that could be deemed as inappropriate by the Catholic Church, according to gender equity-focused Off-Broadway theatre festival SheNYC Arts. The company says they have been booted from the venue completely, and are now faced with finding a new home for their productions.

According to SheNYC Arts, the barred themes include reproductive rights, trans characters, and gender issues. They are also reporting that the priest in charge of the jurisdiction is screening scripts to ensure they fit within Catholic doctrines. SheNYC Arts usually presents its summer theatre festival—focusing on plays by trans, non-binary, and female artists—at the Connelly. It will now have to find a new venue for next summer.

The New York Times is reporting that the new guidelines has forced the suspension of the theatre altogether, with Director and General Manager Josh Luxenberg resigning from his position last week. An emailed request for a statement—sent to the venue's management team, triggered an auto response indicating receipt by Luxenberg and Theatre Management Associate Mele Sabú Borges. A statement was not submitted by time of publication. Neither Luxenberg nor Borges are associated with the Archdiocese of New York beyond their work with the theatre.

The venue, located in Manhattan's East Village, has housed such productions as Job (currently playing a Broadway transfer at the Helen Hayes Theatre), Kate Berlant's Kate, Pulitzer finalist Circle Jerk, Bedlam's 2019 The Crucible, and The BengsonsThe Lucky Ones—many of which contained content that would almost assuredly not pass the venue's new standards. The space has also proved a popular choice for film and TV, housing shoots for Pose and a recent Newsies-themed voting PSA.

“The Archdiocese has specifically called out our past shows at the Connelly Theater, calling them ‘inappropriate’ for discussing issues like reproductive rights and gender and making it clear to us that shows like that will not be allowed in the future,” says SheNYC Arts Founder and Artistic Director Danielle DeMatteo in a statement. “Especially just a few weeks before our election that could determine the future of our rights, it is truly shocking that discussion of reproductive freedom is being censored in New York City.”

SheNYC Arts is not the only company affected by these new guidelines. The Tony Award-winning New York Theatre Workshop was also told it could no longer mount its production of Becoming Eve, about a rabbi who comes out as a transgender woman, at the Connelly. Becoming Eve was scheduled to run March 19–May 18, 2025 and NYTW is currently working on finding a new venue, according to the Times. 

The Broadway producers of Job, who gave the work an Off-Broadway run at the Connelly before its current Broadway bow, have released a statement in response to the news. It should be noted that the Connelly is not a producer of Job, Off-Broadway, Broadway, or otherwise.

Reads the statement: "We are shocked and disappointed that the Catholic Church has shuttered one of downtown’s most beloved theatres. Simply put, Job would not be on Broadway without the Connelly Theater.

"Great theatre is an exchange of ideas—an opportunity for audiences to develop empathy and understanding. The Church undermines that quest for shared humanity with its decision.

"We call on the Archdiocese to reopen the Connelly so artists and audiences can once again gather and experience the transcendence of live theatre. And in the meantime, we invite Cardinal Dolan to come to the Hayes Theater to see Job on Broadway. He can experience first-hand the powerful theatre he is now turning his back on."

 
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