2019 Easter Bonnet Competition Reveals Grand Tally for BC/EFA and Top Fundraising Shows | Playbill

Broadway Cares 2019 Easter Bonnet Competition Reveals Grand Tally for BC/EFA and Top Fundraising Shows The annual event took place April 22 and 23.

Broadway's spring fundraising efforts for Broadway Cares/Equity Fights AIDS culminate each year in the Easter Bonnet Competition. The 33rd annual celebration took place April 22 and 23 at the Minskoff Theatre, where it was announced during the second performance that between Broadway, Off-Broadway, and touring productions, the theatre community raised a total of $6,594,778 through curtain call appeals over the course of six weeks.

Prior to the reveal of the final tally, various shows performed sketches and numbers parodying themselves and their fellow shows while presenting custom-designed (and often extravagant) bonnets.

Here's who came out on top during the spring fundraising period, as announced on stage by Bryan Cranston (Network), Kelli O'Hara (Kiss Me, Kate), Glenda Jackson (King Lear), and Jeff Daniels (To Kill a Mockingbird).

This year's top fundraiser was the Hamilton - And Peggy tour, which raised $513,734. Lin-Manuel Miranda made a surprise appearance to accept the award.

Other top fundraisers follow:

Broadway Musicals
Top Fundraiser Hamilton $325,305
1st Runner-up Mean Girls $238,005
2nd Runner-up The Lion King $191,378
3rd Runner-up Wicked $180,037

Broadway Plays
Top Fundraiser To Kill a Mockingbird $196,464
1st Runner-up Network $92,518

Off-Broadway Plays and Musicals
Top Fundraiser Fiddler on the Roof - in Yiddish $77,283
1st Runner-up Avenue Q $62,396

National Tours
Top Fundraiser Hamilton - Angelica $354,035
1st Runner-up Wicked - Munchkinland $337,562
2nd Runner-up Hamilton - Philip $250,435
3rd Runner-up Dear Evan Hansen $213,692

The award for best presentation went to the cast of Off-Broadway’s Fiddler on the Roof - in Yiddish. The award for best bonnet design went to Come From Away. Designed by Melissa Joy Crawford, the bonnet honored Gander, Newfoundland’s new-found status as a tourist attraction in the wake of Come From Away’s exceptional success.

The event, directed by Kathleen E. Purvis, featured an opening number by Billy Hipkins and choreographed by James Kinney, who also presented a piece he created for Dancers Responding to AIDS, a program of BC/EFA. Among the myriad performers this year was Karen Mason, who performed David Friedman's "Help Is on the Way," the longtime Easter Bonnet closing anthem.

BC/EFA has become one of the nation’s leading industry-based AIDS fundraising organizations, drawing upon the theatre industry and community to raise over $300 million since 1988. Funds go to men, women, and children around the country for treatments and medication, health care, counseling, emergency financial assistance, and more.

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